The last volume of The Shandean in printed form is a Festschrift in Honour of Peter de Voogd. The marbling on the cover of The Shandean Volume 33 (2022) will be a surprise for Peter de Voogd and therefore only visible after publication end 2022.Ā From 2023 onwards we will continue ā free of charge ā in open access format asĀ The Shandean OnlineĀ via the sameĀ and well-knownĀ websiteĀ shandean.org.
Further queries, including suggested contributions to the first edition of The Shandean Online, can be addressed to: shandeanjournal@gmail.com
Here you will find the Contents and Abstracts of Volume 33 ofĀ The Shandean:
Volume 32 (2021) is printing now and will be sent to all subscribers end 2021. It has 212 pages and 18 illustrations, mostly in colour. The beautiful marbling on the cover is from the 1775 āNew Editionā of Tristram Shandy, Volume 3, p. 22. See Contents and Abstracts and how to order Volume 32 (2021).
2022 – Volume 33
The next Volume 33 (2022) will be the last volume of The Shandean in its present printed & paid form and can be ordered here. More information of this last and special volume will follow later.
2023 – From print to open access
From 2023 onwards we will continue – free of charge – in open access format asĀ The Shandean OnlineĀ via the sameĀ and well-knownĀ websiteĀ shandean.org.
The marbling on the cover of The Shandean Volume 32 (2021) is from the 1775 āNew Editionā, volume 3, p. 22 of Tristram Shandy. See also: * Contents and Abstracts * Order form
The marbling on the cover of The Shandean Volume 31 (2020) is from the 2020 Folio Society Limited Edition of Tristram Shandy, with a tipped-in hand-marbled leaf by Jemma Lewis on page 173. See also: * Contents and Abstracts * Order form
Marbling The Shandean 30 (2019) is from Tristram Shandy, A New Edition, Altenburgh: for Richter and Boehme, 1772, volume 3 between pp. 10-11, varnished with gum, verso blank. See also: * Contents and Abstracts * Order form
Marbling The Shandean 29 (2018) is from the 1985 Czech edition of Tristram Shandy by Odeon, with illustrations by JiÅĆ Åalamoun, p. 185. See also: * Contents and Abstracts * Order form
Marbling The Shandean 28 (2017) is from volume 3 of the 1777 ‘New Edition’ by Dodsley of Tristram Shandy, p. [21]. See also: * Contents and Abstracts * Order form
Marbling The Shandean 26 (2015) is from the edition published by J. Bumpus in 1818, vol. 1, p. 330. See also: * Contents * Order form
Marbling The Shandean 25 (2014) is from the New Edition of 1775, vol 3, p. 22. See also: * Contents * Order form
Marbling The Shandean 24 (2013) is from a design by conceptual artist Nick Thurston. See also: * Contents * Order form
Marbling The Shandean 23 (2012) is from Dodley’s 1773 ‘New Edition’, vol. 3, p. 21. See also: * Contents * Order form
Marbling The Shandean 22 (2011) by Christopher Rowlatt for Shandy Hall’s ‘Emblem of my Work’ project. See also: * Contents * Order form
Marbling The Shandean 21 (2010) is from p. 267 of vol. 1 of the four-volume 1803 Works by Johnson, Robinson, Becket, et al. See also: * Contents * Order form
Marbling The Shandean 20 (2009) by Ilona Hesse, of p. 264 Michael Walter’s translation of Tristram Shandy (Eichborn Verlag, Berlin, 2006). See also: * Contents * Order form
Marbling The Shandean 19 (2008) is from vol. 1, p. 282 of J.L. Legrand’s two volume edition of Tristram Shandy (Basil: 1792). See also: * Contents * Order form
Marbling The Shandean 18 (2007) ‘Pause on the Landing’, is by Tom Phillips, R.A., and designed for the Laurence Sterne Trust in 2005. See also: * Contents * Order form
Marbling The Shandean 17 (2006) is from Tristram Shandy, vol. 3 of Dodsley’s New Edition (1773), p. 21. See also: * Contents * Order form
Marbling The Shandean 16 (2005) is from vol. xi of Cooke’s Edition of Select Novels (1793), p. 12. See also: * Contents * Order form
Marbling The Shandean 15 (2004) is from Tristram Shandy (A New Edition), 1770), vol. 3, p.22. See also: * Contents * Sold out
Marbling The Shandean 14 (2003) is from Tristram Shandy (Joseph Wenman, 1781), vol. 3, p. 15. See also: * Contents * Order form
Marbling The Shandean 13 (2002) is from the 1798 Works, vol. 2, p. 112. See also: * Contents * Order form
Marbling The Shandean 12 (2001) is from the third (1773) Dublin edition p. 203. See also: * Contents * Order form
Marbling The Shandean 11 (1999/2000) is from Harrison’s Tristram Shandy (1787), p. 101. See also: * Contents * Order form
Illustration The Shandean 10 (1998) is from the Works of Laurence Sterne, vol. 1, p. 271. See also: * Contents * Order form
Marbling The Shandean 9 (1997) is from the 1777 ‘New Edition’ of Tristram Shandy, vol. 3, p. 22. See also: * Contents * Order form
Marbling The Shandean 8 (1996) is from the 1768 ‘new’ edition of Tristram Shandy, vol. 3. See also: * Contents * Order form
Marbling The Shandean 7 (1995) is from the first edition of Bode’s translation of Tristram Shandy (Hamburg, 1774), vol. 3, p. 175. See also: * Contents * Order form
Marbling The Shandean 6 (1994) is from the 1796 Basle edition by J.J. Tourneisen, p. 282. See also: * Contents * Order form
Marbling The Shandean 5 (1993) is from the 10-volume edition of the Works (1788), vol. 2, p. 112. See also: * Contents * Order form
Marbling The Shandean 4 (1992) is from the R. Sammer, Vienna, edition of Tristram Shandy, (1798), vol. 3, p. 119. See also: * Contents * Order form
Marbling The Shandean 3 (1991) is from the first edition of Tristram Shandy, vol. 3 (1761), p. 169. See also: * Contents * Order form
Marbling The Shandean 2 (1990) is from Cooke’s edition of Tristram Shandy (1797), vol. 3, facing p. 13, Monkman Collection, Shandy Hall. See also: * Contents * Order form
Marbling The Shandean 1 (1989) is from a first edition of Tristram Shandy, vol. 3 (1761), Monkman Collection, Shandy Hall. See also: * Contents * Sold out
This is the marbling on the cover of the new volume of The Shandean Volume 32 (2021). The marbling is from the 1775 ‘New Edition’ of Tristram Shandy, volume 3, p. 22.
The Shandean Volume 32 (2021) will be published in November 2021.
Fourth International Laurence Sterne Foundation Conference, Naples 2021 Palazzo Du Mesnil – Thursday 28 to Saturday 30 October 2021
Sterne and the Grand Tour: Places, Postures, Portraits ⦠and here I am, as happy as a king after all, growing fat, sleek, and well-liking ānot improving in stature, but in breadth. We have a jolly carnival of it ā nothing but opera-punchinelloes-festinos and masquerades ā (Letters, 269, to John Hall Stevenson, Naples, 5 February 1766)
Sterneās eccentric Grand Tour through Italy culminated in Naples, where he arrived āShandaicallyā enough just in time for the pre-Lenten festivities in February 1766. As the epigraph makes clear, he seemed utterly in tune with the intoxicating festive mood pervading the town and was impressed by the local celebrations, especially the renowned fĆŖtes and masquerades given by Eleonora Borghese, Principessa Francavilla, at the gorgeous Palazzo Cellamare with its luxuriant gardens.
For the Fourth Conference in Naples the ILSF warmly welcomes proposals that focus on Sterneās artful investment in all aspects related to the Grand Tour. Topics may include the following:
The Grand Tour in the eighteenth century and Sterneās narrative ādetoursā
Sterne in Italy between antique and modern arts
Sterne and learned wit
The metaphor of writing as travelling and Sterneās travesties and postures
Sterneās authorial masks and the festive repertoire of the carnivalesque
Conference fee Before 10 August: ā¬80 – non-waged ā¬60 After 10 August: ā¬100 – non-waged ā¬80 Conference dinner: ā¬30
Payment – in Euro by bank transfer: made payable to St. Int. Sterne Foundation IBAN: NL92 INGB 0006252439 – Bic/Swift: INGBNL2A or – inEuro via PayPal: account name: theshandean@fastmail.fm
To register Please email to theshandean@fastmail.fm stating your name, affiliation, and payment details.
Where & when We do hope to be able to host the Conference āliveā in Naples at Palazzo Du Mesnil (Via Partenope 10/A, with access in Via Chiatamone 61/62) from 28 to 30 October 2021. In case of persisting restrictions due to the ongoing global pandemic, the event will be postponed to March 2022.
The marbling on the cover of The Shandean Volume 31 (2020) is from the 2020 Folio Society Limited Edition of Tristram Shandy, with a tipped-in hand-marbled leaf by Jemma Lewis on page 173.
1838 Laurence Sterne portrait by Ferdinand after Napoleon Thomas. See full illustration
1850 Laurence Sterne engraved portrait after Reynolds, single sheet. See full illustration
1884 Laurence Sterne photogravure by Maurice Leloir, frontispiece portrait after Reynolds in oval under roses, below Toby reading map and Maria. See full illustration
1884 Laurence Sterne photo by Ernst Hader. See full photo
The marbling on the cover of The Shandean Volume 31 (2020) is from the 2020 Folio Society Limited Edition of Tristram Shandy, with a tipped-in hand-marbled leaf by Jemma Lewis on page 173.
The marbling on the cover of Volume 30 (2019) is taken from Tristram Shandy, A New Edition, Altenburgh: for Richter and Boehme, 1772, volume 3 between pp. 10-11, varnished with gum, verso blank.
The marbling on the cover of Volume 30 (2019) is taken from Tristram Shandy, A New Edition, Altenburgh: for Richter and Boehme, 1772, volume 3 between pp. 10-11, varnished with gum, verso blank.